{"id":201,"date":"2016-12-14T17:32:01","date_gmt":"2016-12-14T16:32:01","guid":{"rendered":"http:\/\/wp.scenograf.nu\/?page_id=201"},"modified":"2022-01-24T11:51:04","modified_gmt":"2022-01-24T10:51:04","slug":"home-cv-calender","status":"publish","type":"page","link":"https:\/\/scenograf.nu\/","title":{"rendered":"Hem \/ Home"},"content":{"rendered":"\t\t
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Scenograf \"\"<\/h3>

Marta Cicionesi \u00e4r frilansscenograf inom teater, dans och opera och har medverkat i \u00f6ver 100 produktioner i bl.a. Sverige, Italien, Frankrike, USA, Indien och Finland.
Martas scenografiprofil best\u00e5r av ett stilgrepp som lyfter f\u00f6rest\u00e4llningarna till konstn\u00e4rliga upplevelser d\u00e4r hennes signum k\u00e4nns igen genom en enkelhet som f\u00f6rst\u00e4rker det dramaturgiska rummet; ett flerdimensionellt bildspr\u00e5k med rika ljuss\u00e4ttningsm\u00f6jligheter; ett f\u00f6r\u00e4nderligt poetiskt och dramatiskt rum d\u00e4r l\u00e4tthet och kontrast v\u00e4xlar i o\u00e4ndliga variationer.
Marta \u00e4r \u00e4ven aktiv som librettist och filmmanusf\u00f6rfattare.<\/p>

Marta Cicionesi<\/strong> \u00e4r f\u00f6dd 1963 i Italien.\u00a0
Uppvuxen i Auroville, Indien, 1968-1980.
Utbildad vid …<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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 Istituto Statale d\u00b4Arte di Firenze, Florens, Italien, \u00e5ren 1981-1985.
Verksam i Sverige sedan 1985.
Medlem i Svenska Teaterf\u00f6rbundet sedan 1990.
Har beviljats st\u00f6d f\u00f6r Rekognoscering 1997 och Filmmanusutveckling 2001 av Svenska Film Institutet.
Har tilldelats Skillinge Teaterns Kulturstipendium 2005.
Har tilldelats Konstn\u00e4rsn\u00e4mndens Arbetsstipendium 1992, 2003, 2009 och 2012.
Har tilldelats Konstn\u00e4rsn\u00e4mndens bidrag f\u00f6r Internationella Kulturutbyte f\u00f6r vistelser i Frankrike och Finland 2010, 2012, 2015 och 2016 .<\/p>\n

Teatrar som har anlitat Marta Cicionesi i Sverige:<\/strong>
Skillinge Teater, Teater Sagohuset, Kollaborativet, Nya R\u00f6relsen Koreagrafer i Sk\u00e5ne, Riksteatern Norsborg, Transmission Reasearch Sweden, Sk\u00e5nska Landskap\/ Upplevelsepedagogiskt centrum, Playmate Theatre, Malm\u00f6 Opera, Milvus Artistic Research Center MARC, Modern Art Teatergrupp, Teater Barb\u00e8s, Teater Halland, Thales Teater, Teteater, Kollaborativet, Studio Acusticum, Connect New Music Festival\/ Musik i Syd, Fytimi Productions, Zin-Lit New Stage Circus, Sk\u00e5nska Operan, Fria Teatern, Dr\u00f6mmarnas Hus, Theatron, Kalejdoskop, Teater Spektrum, Quetzal Productions, Mooms Teater, Teater H\u00f6gskolan Stockholm, Teater H\u00f6gskolan Malm\u00f6, Norrdans, Musik H\u00f6gskolan Malm\u00f6, Definitiv Dans, Neon Gallery, Tj\u00f6rnedala Konsthall, Commedie Compagniet, Pantomimteater, Musik i Dalarna\/ Stockholms Stadsteater, Distingo Scenproduktion, Himlabacken, Mellby Scenkonst, Kronobergs Teater, Marylins \u00c4nglar, Ystads Gruppen, Dans Tagen, Transparente Blanche Dans.<\/em><\/p>\n

Teatrar som har anlitat Marta utomlands:<\/strong>
Collectif Masque (FR), Th\u00e9atre de l \u0301Essaion, Paris (FR), Th\u00e9atre de l \u0301Essaion, Avignon (FR), Th\u00e9atre du Nord\/Theatre de L \u0301ideal, Lille (FR), Studio Theatre de Chareton (FR), Theatre de Beleville, Paris, (FR), Th\u00e9atre du Petit Saint Martin, Paris (FR), Theatre Centre Mandapa, Paris (FR), Theatre Le Hublot (FR), Bricklayers Theater Chicago (USA), Les Contes du Turpial(FR), Osiris Teatteri (FI), Matrimandir Amphitheater 50th Anniversary Celebration(IN), Odisha Biennale (IN), MOPA (IN) , Auroville Theatre Group (IN), Polygon Theatre (EE), Auroville Dance Company (IN), Arangart Dance Company (IN), Abhaya Dance Company (DK\/ IN) Alef Danzaateatro (IT), Sources 2 (DE \/ IT).<\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Set designer \"\"<\/h3>

Marta Cicionesi is a free lance set designer for theatre, dance and opera and has realized more than 100 productions in Sweden, Italy, France, India, Finland and USA.
Marta has specialized in creating sets of great pictorial suggestion, often through painted backdrops designed for particular light effects and projections \u2013 achieving images and spaces with a rich
atmospheric spectrum. Her set design consists of a personal style that gives stage performances their artistic expression. Her creations always grow out of a tight collaboration with light designers and directors.
As well as designing, Marta Cicionesi constructs and paints her sets herself at her studio in southern Sweden. Marta is also an active librettist and film script writer.<\/p>

Marta Cicionesi<\/strong> is born in Italy in1963.
Grew up in the international township of Auroville, India 1968-1980.
Graduated at …<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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the State Art Institute of Florence, Italy \/ Istituto Statale d \u0301Arte di Firenze, in 1985.
Member of the Swedish Theatre Guild \/Teaterf\u00f6rbundet\/ since 1990.
Received Artist Grants\/Stipends from the Swedish Artists Council\/ Konstn\u00e4rsn\u00e4mnden in 1992, 2003, 2009 and 2012.
Received International Cultural Exchange grants\/Stipends in 2010, 2012 and 2015 for artistic residencies in France (with Collectif Masque in Paris 2010, 2015), Finland (with Osiris Teatteri in Helsinki 2012) and India (with MOPA Odisha Biennale in Bhubaneswar 2015) from the Swedish Artists Council\/ Konstn\u00e4rsn\u00e4mnden.
Received grants for Location scouting in Basilicata, Italy, and screenplay development with Sources 2 from the Swedish Film Institute in 1997 and 2001 for her own feature film script Land of Memory.
Received The Skillinge Theatre Culture Prize Sweden in 2005 for her long term collaboration and set design. Productions with Marta’s sets such as \u201cTime is our Home\u201d and director director Henrik Holmberg were granted Thalia Priset Sverige ; \u201cDissection of a snow fall\u201d was granted Le Prix de professionalisation du Festival Avigno Off; \u201cThe seagull\u201d was nominated for Thalia Priset Sverige 2014.<\/p>

Swedish Collaborators:<\/strong>
Skillinge Teater, Teater Sagohuset, Nya R\u00f6relse koreografer i Sk\u00e5ne, Riksteatern Norsborg, Transmission Research Sweden, Sk\u00e5nska Landskap\/ Upplevelsepedagogisktcentrum, Playmate Theatre, Malm\u00f6 Opera, Milvus Artistic Research Center MARC, Modern Art Teatergrupp, Teater Barb\u00e8s, Teater Halland, Thales Teater, Teteater, Kollaborativet, Studio Acusticum, Connect New Music Festival\/ Musik i Syd, Fytimi Productions, Zin-Lit New Stage Circus, Sk\u00e5nska Operan, Fria Teatern, Dr\u00f6mmarnas Hus, Theatron, Kalejdoskop, Teater Spektrum, Quetzal Productions, Mooms Teater, Teater H\u00f6gskolan Stockholm, Teater H\u00f6gskolan Malm\u00f6, Norrdans, Musik H\u00f6gskolan Malm\u00f6, Definitiv Dans, Neon Gallery, Tj\u00f6rnedala Konsthall, Commedie Compagniet, Pantomimteater, Musik i Dalarna\/ Stockholms Stadsteater, Distingo Scenproduktion, Himlabacken, Mellby Scenkonst, Kronobergs Teater, Marylins \u00c4nglar, Ystads Gruppen, Dans Tagen, Transparente Blanche Dans.<\/em><\/p>

International collaborators:<\/strong>
Collectif Masque (FR), Th\u00e9atre de l\u00b4Essaion, Paris (FR), Th\u00e9atre de l\u00b4Essaion, Avignon (FR), Th\u00e9atre du Nord\/Theatre de L\u00b4ideal, Lille (FR), Studio Theatre de Chareton (FR), Theatre de Beleville, Paris, (FR), Th\u00e9atre du Petit Saint Martin, Paris (FR), Theatre Centre Mandapa, Paris (FR), Theatre Le Hublot (FR), Bricklayers Theater Chicago (USA), Les Contes du Turpial(FR), Osiris Teatteri (FI), Matrimandir Amphitheater 50th Anniversary Celebration(IN), Odisha Biennale (IN), MOPA (IN) , Auroville Theatre Group (IN), Polygon Theatre (EE), Auroville Dance Company (IN), Arangart Dance Company (IN), Abhaya Dance Company (DK\/ IN) Alef Danzaateatro (IT), Sources 2 (DE \/ IT).<\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Adress: G\u00e5rdarnas v\u00e4g 11, SE-277 37 KIVIK, Sweden
E-post: martacicionesiscenogra.nu@gmail.com<\/a>
Telefon: +46-(0)73 9807652, +46 (0)414 74018.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Scenograf Marta Cicionesi \u00e4r frilansscenograf inom teater, dans och opera och har medverkat i \u00f6ver 100 produktioner i bl.a. Sverige, Italien, Frankrike, USA, Indien och Finland.Martas scenografiprofil best\u00e5r av ett stilgrepp som lyfter f\u00f6rest\u00e4llningarna till konstn\u00e4rliga upplevelser d\u00e4r hennes signum k\u00e4nns igen genom en enkelhet som f\u00f6rst\u00e4rker det dramaturgiska rummet; ett flerdimensionellt bildspr\u00e5k med rika […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"boxed-container","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":136,"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"predecessor-version":[{"id":1823,"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions\/1823"}],"wp:attachment":[{"href":"https:\/\/scenograf.nu\/index.php\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}